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Quick Answer: Merchant Of Venice Act 3 Scene 2?

What happens in Act 3 Scene 2 of The Merchant of Venice?

Summary: Act III, scene ii

In Belmont, Portia begs Bassanio to delay choosing between the caskets for a day or two. If Bassanio chooses incorrectly, Portia reasons, she will lose his company. Bassanio insists that he make his choice now, to avoid prolonging the torment of living without Portia as his wife.

How does Shylock die?

Shylock does not die in Merchant. However, he does see his punishment as worse than death.

Is Antonio in love with Bassanio?

Shakespeare has made it clear that the path to Bassanio’s heterosexual love cannot seperate itself from Antonio’s homosexual love. Bassanio does not exactly reciprocate, but he does accept the sacrifice. He later gives his ring to the disguised Portia as a repayment for saving Antonio’s life.

What is the meaning of stairs of sand?

A: ‘Stairs of sand‘ is referred to as stairs made of sand. Anything made of sand cannot be strong and permanent. These stairs are compared to everything and everyone that is beautiful on the outside and ugly and horrible on the inside.

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Is Shylock a villain or victim?

Shylock is a combination of both victim and villain in The Merchant of Venice. He is a victim of discrimination and mistreated by Antonio and his daughter, Jessica. Shylock’s greedy, vengeful nature is what makes him a villain, which helps drive the plot of the play.

Why does Shylock hate Antonio?

Shylock hates Antonio because Antonio has the privilege of being a wealthy Venetian who charges no interest on his loans, and he also hates Antonio for being a Christian. Antonio not only loans money interest-free to many, he has also covered the loans of Shylock’s victims without charging them interest to repay him.

Does Shylock convert to Christianity?

First, Shylock has to sign an agreement bequeathing all his remaining property to Lorenzo and Jessica, which is to become effective after his demise, and second, he is to immediately convert to Christianity. Shylock is forced to agree to these terms, and he exits citing illness.

Why did Shylock call Portia a Daniel?

Shylock does not want Bassanio’s money or his life. So, when Portia, disguised as a lawyer, says “it cannot be” that Bassanio is allowed to save Antonio, because it would establish a bad precedent, Shylock is delighted. He calls Portia a “Daniel,” after the Biblical Daniel, who was known as a wise judge.

Why does the Duke call Shylock inhuman?

(ii) Shylock is called inhuman by Duke because he demanded the pound of flesh from Antonio’s body and did not have a single grain to pity in his heart. Shylock will forgive him a part of the principal amount to be paid by Antonio along with forgiving their penalty.

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Why did Bassanio kiss Antonio?

To help his friend, Antonio borrows money from the Jewish moneylender Shylock, who has been subjected to past prejudice and anti-Semitic insults from Antonio. They discuss Bassanio’s plans and Antonio agrees to help. But before he leaves, Bassanio delivers a kiss that is as passionate as any with Portia.

Who Is the Real Merchant of Venice?

The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice named Antonio defaults on a large loan provided by a Jewish moneylender, Shylock.

The Merchant of Venice
Original language English
Series First Folio
Subject Debt
Genre Shakespearean comedy

Who is Antonio wife in Merchant of Venice?

He laments his ill-fortune but cheers at the thought of solving his problems by marrying Portia, a woman who has come into a sizeable inheritance from her father and whom he thinks is predisposed to choose him.

Who is Hercules and Mars?

Mars (mythology)

Mars
Parents Jupiter and Juno
Siblings Vulcan, Minerva, Hercules, Bellona, Apollo, Diana, Bacchus, etc.
Consort Nerio and others including Rhea Silvia (raped), Venus, Bellona
Children Romulus and Remus, Cupid

What does the beauteous scarf cover?

The “beauteous scarf” in The Merchant of Venice is connected to the central themes of the play: duplicity, the disturbing gulf between appearance and reality, and moral questions surrounding the validity of a Christian society’s engagement with the foreign and alien.

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